“BCUC will come correct with their energetic, unique and magic formula; the voices of their ancestors, mixed with funk, punk-rock vibrations, hip-hop, Fela-inflections and much more in between.” Gilles Peterson, BBC Radio 6 Music/Worldwide FM
A stone’s throw from the church where Desmond Tutu organised the escape of the most wanted anti-Apartheid activists of Soweto, BCUC rehearses in a shipping container-turned-community restaurant, where their indomitable outspokenness echoes in a whole new way.
Make no mistake, this buzzing township has lost none of the creative, rebellious energy it had when the “Rainbow Nation”, with its now less-than-vibrant colours, emerged twenty years ago. Like its elders, Bantu Continua Uhuru Consciousness sees its music as a hedonistic trance, but also as a weapon of political and spiritual liberation.
The seven-piece band has been mesmerising audiences both locally and globally with its indigenous funk and high-energy performances that have fast made it one of South Africa's most successful musical exports. Artistic heirs to Philip “Malombo” Tabane and Batsumi, they seek to give a contemporary voice to the ancestral traditions of indigenous peoples. Jazz sounds of 1970s and ‘80s productions have been replaced by hip-hop influences and a punk-rock energy.
BCUC take the listener on an intriguing epic journey, sharing their controversial yet interesting views on modern Africa. They tackle the harsh realities of the voiceless, especially the plight of the uneducated workers at the bottom of the social food chain. BCUC taps into the elusiveness of the spirit world of ancestors by which they are inspired. The Africa portrayed by BCUC is not poor, but rich in tradition, rituals and beliefs.